I am currently a junior at the Savannah College of Art and Design (SCAD), majoring in Motion Graphics and minoring in Printmaking. My creative practice moves along the boundary between reality and imagination—rooted in Surrealism as a spiritual axis and expressed through the visual language of Retro Aesthetics. Within the intersection of these two sensibilities, I seek new ways of storytelling and constructing visual order.

To me, Surrealism is more than a visual style—it is a pathway to the subconscious and to emotional truth. Retro aesthetics, on the other hand, represent a folding of time, a revival of forgotten forms and textures. Motion itself has become the language of the modern age, intertwining the past and the present, the real and the fantastical.

My works are often structured around symbolism, displacement, and dreamlike logic, using the distortion of time and space to reflect individual psychological states. I aim for imagery that carries the grain of history while revealing a sense of modern restraint through movement and light—inviting viewers to wander between the familiar and the unfamiliar, and to discover an uncertain reality where dream and memory converge.

For me, art and design are extensions of perception—not merely a means of expression, but a process of exploration, a continuous inquiry into the unknown and the beautiful.